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The River Is Waiting

Wally Lamb’s most recent novel, the first in almost ten years, was the first of my holiday reads. I loved Lamb’s She’s Come Undone; choosing another novel of Mr. Lamb’s was an easy choice. It was not until I listened to an interview with Wally Lamb, an hour ago, that I realized this novel was, in part, autobiographical. 

 

The opening chapter was heart-wrenching and captivating. For the next two chapters, the reader is thrust back into the past, which I found a little jarring, given how gripped I was by the present-timeline chapter. 

 

I think the novel intends to tell a redemption story. Does this protagonist atone? Does he deserve sympathy? (absolutely!) Is forgiveness even possible when one is responsible for a death such as this?  Can his wife possibly forgive? Can his marriage survive? From the get-go, my answers to the latter two questions were an emphatic ‘no’. I was in with protagonist Ledbetter for the first five or six chapters, but then I fell away. 

 

I was accepting a wild ride and character arc, like She Comes Undone, and the book's premise promised another one. I was gutted after the inciting event. I love this novel’s symbolism. I liked many of the layers and the contractions of Corby Ledbetter. Any parent can sympathize with and even align with Corby Ledbetter. Oddly, I even loved his name. I was rooting for him and this story, but unfortunately, I did not love the book. 

 

The family’s emotional journey is not the epicentre of the book’s duration, nor often is Corby’s. The latter half of the book reads like a non-fiction piece about what happens in prisons and a warning about the challenges prisons face. I would have preferred a non-fiction or documentary about the prison system during COVID. I would have preferred Wally Lamb to continue the emotional journey and relationships we were promised at the novel’s beginning. Obviously, this is just one take, but I also did not like the many political shoutouts, which felt stiff and flat; the COVID scenarios; the characters in prison who felt like caricatures; and the ending, and I struggled to keep reading. Not my fave. Now onto another holiday read: Five Little Indians by Michelle Good. 

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Ducks
Image left: Kate Beaton's cover in lower foreground. Early ducks and geese on Rideau River in the background.  

Though Kate Beaton's text was only the seond graphic novel I have ever read, I could not put it down. A beautifully written, melancholic and autobiographical account of her years working in Alberta's oil sands, the tale relays her coming-of-age search for work to pay off her student debt.  Beaton explores personal identity with authetnticty. Broader themes of Indigenous land rights, environmental protection, worker exploitation, and toxic misogyny are explored. Beaton with writes sensitivity and nuanced insight. This book is a must-read. Places and topics referenced struck deep personal chords: my mother is from Newfoundland, I completed two degress in Nova Scotia, and my three grown sons are bogged down in university student debt. One side note: though frame by frame, the story is hanunting and captivating, I would have equally embraced the text and message, prose alone. 

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